Bringing It All Back Home is the fifth studio album by American singer-songwriter Bob Dylan. It was released on March 22, 1965, by Columbia Records. The album features an electric half of songs, followed by a mostly acoustic half, while abandoning the protest music of Dylan's previous records in favor of more surreal, complex lyrics. On side one of the original LP, Dylan is backed by an electric rock and roll band-a move that further alienated him from some of his former peers in the folk music community.
Аккорды, текст к песне 'Bringing It All Back Home (album)' исполнителя (композитора) Bob Dylan. На сайте может быть представлено несколько вариантов, проверьте соответствующий список. All your reindeer armies, are all going home. The lover who just walked out your door Has taken all his blankets from the floor. The carpet, too, is moving under you And it's all over now, Baby Blue. Leave your stepping stones behind, something calls for you. Forget the dead you've left, they will not follow you. The vagabond who's rapping at your door Is standing in the clothes that you once wore. Strike another match, go start anew And it's all over now, Baby Blue. Другие композиции этого автора: Bob Dylan - John Wesley Harding (album) (Аккорды, текст).
BPM Profile Bringing Home the Ashes. Album starts at 135BPM, ends at 113BPM (-22), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by The Wild Swans.
With Another Side of Bob Dylan, Dylan had begun pushing past folk, and with Bringing It All Back Home, he exploded the boundaries, producing an album of boundless imagination and skill. And it's not just that he went electric, either, rocking hard on "Subterranean Homesick Blues," "Maggie's Farm," and "Outlaw Blues"; it's that he's exploding with imagination throughout the record.
Bringing Home the Bait by Live Skull, released 14 February 2015 1. Sparky 2. Brains Big Enough 3. Glee Product 4. Ha Ha Ditch 5. Four 6. Houseboy 7. Wisdom & Gravy 8. Common Cruelty 9. Skin Job 10. Jerking The Light 1. Bringing Home the Bait extends the approaches found on Live Skull's first EP, but the feel here is even harsher, more complex and confrontational. Using the most traditional of rock instrumentation – two conventionally tuned guitars, bass and drums – Mark C, Tom Paine, Marnie Greenholz and James Lo gleefully throw themselves into the business of subverting traditional rock forms, and the result is an intensely eccentric, nearly unclassifiable record that has been called, among other things, "The best Noise Rock Post Punk New Wave No Wave Experimental Indie.