L'Estocart's music is typical of late Renaissance polyphony, eclectic in its use of a cantus firmus, imitative counterpoint, and homophonic writing, with an unusually free use of dissonance. The French mixed a cappella ensemble Ludus Modalis, led by Bruno Boterf, specializes in music of this era and sings with passion and authority. Intonation is immaculate and tone quality is pure and unforced. The recorded sound is clean, but spacious and warm.
This collection also includes his Ode in 12 parts, set to religious texts in French. L'Estocart's music is typical of late Renaissance polyphony, eclectic in its use of a cantus firmus, imitative counterpoint, and homophonic writing, with an unusually free use of dissonance.
L'Estocart's music is typical of late Renaissance polyphony, eclectic in its use of a cantus firmus, imitative counterpoint, and homophonic writing, with an unusually free use of dissonance. EAC extraction logfile from 30. October 2015, 8:33. Ludus Modalis, Paschal de L'Estocart - Deux coeurs aimants. Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0. Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No.
Paschal de l'Estocart (1539 in Noyon - after 1584) was a French Renaissance composer. Not much of his life is known. He was in Lyons between 1559 and 1565, and was married in the latter year. In his youth he is known to have visited Italy, but the exact years are not known. He was the protégé of the protestant Seigneurs (Lords) de la Marck and in 1582 he worked for Charles III, Duke of Lorraine. In 1584 he was in the service of the Abbot of Valmont; Popular Songs. Ode en douze parties - IV. La cheute miserable de l'homme. Deux coeurs aimants: Sacrae Cantiones (1582): Chansons, Ode, Psalms and Motets with 3 to 7 voices (Ludus Modalis, director: Bruno Boterf). Francisco de Peñalosa.
Ludus Modalis De L'Estocart: Deux cours aimants. Ludus Modalis Guillaume Costeley : Mignonne, allons voir si la rose Hi-Res. Ludus Modalis Lassus: Biographie musicale, Vol. 1 (Années de jeunesse).
Paschal de l'Estocart. Ode en douze parties - XI. Qui sont les vrais Chrestiens, et en quoy gist leur fiancé. Qui sont les vrais Chrestiens, et en quoy gist leur fiancé Paschal de l'Estocart.
De L'Estocart: Deux cœurs aimants. Psaumes de la réforme: Réveillez-vous, chacun fidèle. Saints and Sinners - The Music of Medieval and Renaissance Europe. Vocal Music - L'Estocart, . Morlaye, . Lassus, . Le Roy, . Goudimel, C. (Vocal Music of the French Reformation). More Paschal de l'Estocart. Listen to Chansons et psaumes de la réforme now. Listen to Chansons et psaumes de la réforme in full in the this site app. 2 more albums featuring this track. O combien est plaisant. Paschal de L'Estocart. Paschal de l'Estocart (1539 in Noyon - after 1584) was a French Renaissance composer. View full artist profile.
L'Estocart, Paschal de. I-Catalogue NumberI-Cat. 8. Deux coeurs aimants par foy louable et saincte (5 vv). 9. Dieu est regnant de grandeur tout vestu (3 vv). 10. Quand je viens à penser (5 vv). 11. Je ne veux plus bastir (5 vv). 12. Pour mourir bien heureux (5 vv). 13. Susanne un jour d’amour sollicitee (5 vv). 14. Helas mon Dieu ton ire s’est tournee (5 vv).
Title/Composer | Performer | Time | |
---|---|---|---|
Sacrae Cantiones, 26 chansons for 4-7 voices | |||
1 | Susanne un jour | Ludus Modalis | 3:55 |
2 | Quand je viens à penser | Ludus Modalis | 1:50 |
3 | Deux cœurs aimants | Ludus Modalis | 3:59 |
4 | Je ne veux plus bastir | Ludus Modalis | 1:36 |
5 | Helas mon Dieu | Ludus Modalis | 3:00 |
6 | Où est le vray pays | Ludus Modalis | 1:16 |
7 | O combien est plaisant | Ludus Modalis | 4:48 |
8 | Quelle est ta loy? | Ludus Modalis | 3:29 |
9 | D'un œil pleurant | Ludus Modalis | 3:51 |
10 | Pour mourir bien heureux | Ludus Modalis | 1:43 |
Ode en douze parties (Ode in 12 parts), for choir | |||
11 | 1. L'œuvre de la creation du monde | Ludus Modalis | 1:53 |
12 | 2. De la creation de l'homme | Ludus Modalis | 2:07 |
13 | 3. L'homme creé à l'image de Dieu | Ludus Modalis | 1:49 |
14 | 4. La cheute miserable de l'homme | Ludus Modalis | 1:22 |
15 | 5. Jesus Christ venu pour racheter l'homme | Ludus Modalis | 2:07 |
16 | 6. Sa mort, et le fruict d'icelle | Ludus Modalis | 2:08 |
17 | 7. Sa resurection, et le fruict d'icelle | Ludus Modalis | 2:03 |
18 | 8. Son ascension au ciel, et le fruict d'icelle | Ludus Modalis | 1:28 |
19 | 9. Son assiette à la dextre du Pere, et le fruict d'icelle | Ludus Modalis | 1:31 |
20 | 10. Sa presence au milieu des siens du fruict d'icelle | Ludus Modalis | 1:31 |
21 | 11. Qui sont les vrais Chrestiens, et en quoy gist leur fiancé | Ludus Modalis | 2:04 |
22 | 12. Exhortation aux chrestiens à cercher tout bien en Jesus Christ et adherer à sa saincte parolle | Ludus Modalis | 2:35 |
Sacrae Cantiones, 26 chansons for 4-7 voices | |||
23 | Dieu est regnant | Ludus Modalis | 1:05 |
24 | Ut tibi mors fœlix | Ludus Modalis | 1:36 |
25 | Peccantem me quotidie | Ludus Modalis | 2:55 |
26 | Angelus autem | Ludus Modalis | 2:37 |
27 | Quos anguis dirus | Ludus Modalis | 1:44 |
28 | Inter natos | Ludus Modalis | 2:32 |